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The Canadian Jewish News, Friday, Sepf. 30,1960 - 7
Dateline: Hollywood
BY HERBERT G. LUFT
- OUR FILM FOLK -
TO ALL MY FRIENDS BEST WISHES FOR A VERY HAPPY AND PROSPEROUS NEW YEAR
CLARA COLOMBY
Jew-German Relations
(Continued From Page 2) they thought it was justified in a "total war"). And they knew about the persecution of the Jews, (the reason—they were terribly rich and Hitler wanted their money to start a war), though not of other minorities. Most of their parents had been Naiis, but had explained their membership to their children as having been due to economic reasons such as employment and getting school places. In the second scTiooI, which approximates more to our secondary modern, I spoke to the top class cf boys who were about 15 years old. They knew very little about Hitler and the war but they all knew the figure of six million Jews who had been killed. I gathered, however, that they had learned this from television and not from school.
The Cologne swastika-smearing of December, 1959. came as a profound shock to liberal ■elements in Germany and the
I repercussions are by no means ended. One was a recognition . that the educational programme , had been allowed to drift almost into stagnation. Education is a responsibility of the Laen der not the Federal Govern-' ment.    '•Controversial" i'ssues. like the teaching of Germany's I past, are susceptible to local ; pressurp. and that is one of the ' reasons why more has not been I done. Efforts have been unsuc-! ce'ssful to establish a Federal Ministry of Education which I might be expected to tackle the I subject with   greater vigour, i Since this is unlikely to come about for political and practical reasons, there ought to be some effective sy.-?tem of school inspection to ensure that the syllabus approved by enlightened Ministers of Education is, in fact, applied in lessons and that teachers do not plead lack of time in stopping'- the teaching of German history at 1914. (First of two articles)
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Corey Allen, currently on the screen as the ruthless seducer Duke in Leslie Stevens' quite unorthodox movie, "Private Property," is a young man of many talents in the world of show business. Last week, he came to my office to tell me of his latest venture, "Freeway Circuit, Inc." a professional repertory theatre on wheels which plans to bring a series of legitimate plays to the suburban communities of Los Angeles. In rehearsal is the West Coast premiere of Lawrence and Lee's play, "Only in America," with Herschel Bernard portraying the role of Harry Golden. Our friend Corey is not only the producer but also the director of the drama tization which is scheduled to perform primarily at Jewish Centers and Temples. Yes, Corey Allen is a Jewish boy whose real name is Allen' Cohen. 1
He earned the paltry sum of $1.00 for his professional acting debut in 1954. A "token fee of course, for a film winning an Academy Award. "Time Out At War" was a Civil War yarn produced by the Saunders brothers, UCLA theatre graduates. The result was so outstanding that the CBS television program "Omnibus", used the film for a network show. Talent scouts sat up and took notice of the leading character portrayed by Corey Allen.
Long before his first movie won the coveted Oscar as the best two-real short, Corey was a three time winner of the UCLA best «ctor award -and was graduated with a Bachelor of Arts degree. He actually had entered the Westwood campus to study law, but changed to the drama department in midstream.
Corey landed his most important film assignment a's the
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juvenile delinquent opposite the late James Dean in Warner's "Rebel Without a Cause." It.was in this movie that Corey Allen portrayed the prototype of today's restless and neurotic youth, an utterly realistic tense, characterization which he repeated in many variations in subsequent performances on the screen, only to culminate in his delineation of the sex maniac in "Private Property." a picture winning many European awards and breaking all house records.
He was featured in "Mad Magician," "Bridges at Toki-Ri." •Night of the Hunter," "Miss-
ing Witness," "The Big Caper" and "Juvenile Jungle." In "Darby's Rangers," for a change of pace, he played a good boy, a foolish soldier and lover who gets killed at the end. Most recently in MGM's "Party Girl" (starring Robert Taylor) he was a slimy gang leader of the 1920's era.
Television audiences are familiar with Corey Allen from his over 25 appearances on network shows including "Studio One," "Alfred Hitchcock Presents," "Studio 57," "Television Time" and many others. He is now co-starring in a million dollar   feature,   MGM's "Key
Witness" (with Jeff Hunter), which surely will launcli him into the big star league.
Much of the young actor's free time is spent teaching students at Hollywood's small theatres and participating as a partner in a dramatic Workshop. He also is proficient as a painter and sculptor. But at the present time, he is mostly concerned in bringing the life story of Harry Golden before the public out here in California, to show a dignified image of the American Jew to those in the outlying districts who have hardly heard of Harry Golden before.
Highlights 50 Years In Canadian Sport
NEW BOOK OF PHOTO-GRAPHS BY NAT AND LOU TUROFSKY
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"Anyone we haven't photographed hasn't arrived yet," the late Nat Turofsky used to say. And indeed, the Sporting Greats and Near Greats flashed in action by the incomparable camera skill of Nat and Lou Turofsky reads like a book of Who's Who.
With the publication of SPORTS SEEN, a volume of their most spectacular photographs. The Ryerson Press is proud to herald the past half century of sporting activity in Canada. Ted Reeve, lifelong friend and associate of the Turofsky brothers and popular sports columnist for the Toronto Telegram has written the foreward and commentary for this new volume.
Known as Canada's most successful and unusual photographic team, Nat and Lou Turofsky led a career packed
full of action and excitement, and the demand for their skill took them on a variety of assignments   from one end of
North America to the other. I But it is for the recorded con-itribution to the annals of sport
they will loqg be remembered.
At the BIG events — epic Grey Cup battles; struggles for the Stanley Cup; The British Empire Games; bitter ' championship fights — there especially you'd see the Turofsky cameras — ready to record the action at the precise moment it happened. This is what made them great.
.They were a strangely contrasting pair — the brothers Nat and Lou . . . Lou the quiet, serious family man and Nat the fun loving bachelor. Yet they i complimented each other, and their studios were always open house for their legion of newspaper friends.
In the beginning, they toured
the streets of Toronto on a bicycle taking pictures for the I old .Mail and Empire. As time passed, "a couple of beat up cameras, a few dollars and a lotta crust and luck" grew into a SIOO.OOO a year business that encountered bootblacks, royalty, hersetrainers and millionaires. Fifly years later, the Turofskys were as much a part of the Canadian Sport's Scene as the all
RESTAURANTS
time greats they recorded in | action.
SPORTS SEEN is a volume of their best—the winning goal in the 1951 N.H.L. Playoffs; Olympic Runner Tommy Longboat breasting the tape; breathtaking photo-finishes at the historic Queen's Plate and a host of other memorable action shots. Linked together by the inimitable commentary of Ted Reeve, these pictures form a truly exciting tableau on fifty years in Canadian Sport.......
"Amid the roar of the crowd, with their cameras poised at the alert . . . they shared an extraordinary ability of instinct for anticipating action. Toronto, a hub in the whirling wheels of sport was their base of operations — but, with the growing sweep of events, their work became countrywide and international in coverage. They were experts in their trade and. at the BIG event's, there grew a demand for their skill. Being -Nat and Lou, they would have been there anyway. They were blessed with loyal helpers and j well earned friends and they caught the sunlight of fame in their cameras."
Frome the Foreword by Ted Reeve.
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an interview to be carried — it will keep alive the memory of certain events and deeds we're too prone to forget.'
What did Skorzeny say? Here are a few questions and answers:
nVHAT do you think of Hitler?
Answer: History alone will deliver the verdict. Without diminishing his crmes, it will take his qualities into account.
* .-^RE you still a Nazi? Answer: I never felt myself
a Nazi (This after admitting he joined the party in 1932:M.H.) I joined because I was a . good German and wanted a united Germany.
* WERE you associated with
Eichmann. Answer: I never heard of Eichmann until after the war.
* DID you personally burn .     down five synagogues in
Vienna in 1938? Answer: As a native of Vienna I know there were only three synagogues in the whole city. How could I have burned -five? Quite ' aside-from his evasion of a direct answer to this question, skorzeny's facts are slightly shaky.    Vienna in 1938 had more than 200,000 Jews, almost as many as there are today In all of Canada—and only ttiree synagogues?
When asked what he.^would do jf,the Israelis should capture him as they did Eichmann, he indicated he would not be taken alive.
WTien asked what Hitler's error was, he replied thai it was his ".racial policy." Skorzeny toldf Pierre Bertont his 'interviewer, he had , no idea of fho anli-Jewrsh exterminations until after the war. This was something the perpetrators should be punished for, quickly adding however that some of
the stories were exaggerated and some photographs of concentration camps were "photomontages". Did this "reservation" reveal his true feeling?
At the end of the interview Berton, speaking from the To ronto studio and commenting on the taped interview, remarked that in his view the 53 year old puffy faced, duel-scarred, kidnapping expert, while admittedly not himself involved
in war-crimes (he was acquitted by a post war tribunal-, was an unreconstructed Nazi, was an admirer of Hitler who opposed the 1944 assassination and that his only regret was that Germany lost the war. The interview itself, however, was no close-prying Mike Wallace affair. Berton, either deliberately or through oversight, did not follow through on many openings Skorzeny left for further
prodding: where did the SS Colonel get the capital for his present affluence (he has a $50,000 farm, has an international busines's in steel and munitions, but claims he left Germany penniless after the war)? How could as highly placed an SS officer like himself of such long standing in the party claim an innocent ignorance of the policy of exterminating the Jews?
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